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Lagos Cult Clashes Claim 13

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Thirteen suspected cultists have been killed in the ongoing clash between members of the Eiye and Aiye confraternities in the Ijede Local Council Development Area of Lagos State.

Nine of the thirteen deceased cultists were said to have been killed by members of rival groups, while the remaining four were allegedly killed by soldiers, who gave them a hot chase after reportedly burning the family house of the Obateru of Egbin in Ijede.

A resident, Bayo Adegbaju, who stated that the frequent cult clashes were creating panic in the community, said two of the victims were pupils of a Junior Secondary School in the area, adding that other pupils had abandoned their studies due to the attack on the school premises.

He said, “In December, a cultist, Saheed, was shot in the mouth by rivals, but he was lucky to escape. After his wound healed, he and his gang had a clash with members of the rival group on Monday, January 20, 2020, and two of the cultists were stabbed in the stomach and chest. The victims were rushed to the health centre in Ijede, where they died the following day.

“In the early hours of Tuesday, some cultists used a machete to kill a rival in his house around the De-John School. I was going to work in the morning when I saw a crowd in front of the deceased’s home. I saw the head with multiple machete cuts and bloodstains all over the wall.

“In the afternoon, two pupils of the Luwasa Junior Secondary School were shot dead on the school premises. The school management had to send all the pupils home for their safety. That same day, around the Etita area in Ijede, another cultist was shot dead.

“Also, around the Ferry Station, Ijede, two cultists were riding a motorcycle when their rivals used a rod to push them down and shot them dead. Whenever the cultists clash, residents usually run helter-skelter, because they use sophisticated weapons. We are not safe in Ijede.”

When our correspondent visited the Luwasa Junior High School to confirm the alleged death of the two pupils, the principal declined to speak, but a source, who spoke on condition of anonymity, said the school did not lose any pupil.

The source, however, said cultists chased a member of a rival group into the school premises and shot him dead around 11 am, while the students were studying in their various classrooms.

According to the source, the cultists took advantage of the fact that the school had no fence to perpetrate the crime.

“No pupil was killed. In Luwasa, Igbe and Ijede areas, cult clashes have been ongoing and are still on as I speak to you. The cultists chased themselves into the school compound and killed their rival. The pupils were around when the killing took place,” the source stated.

Members of staff of the school and officials sent by the state Ministry of Education to monitor the situation in the school were seen on the premises, but there was no pupil in sight when our correspondent visited the school on Wednesday.

When asked why the pupils were not in school, the source said, “What happened on the school premises was an extension of what has been happening in the community for the past three days. As of the time they were evacuating the corpse of the murdered cultist, the police received a call that another person had been killed at Igbe.

“The parents are aware of what is happening; they probably told their children to keep away from school.”

Another resident, Enitan Ogunsanya, said five suspected cult members were killed in the early hours of Wednesday, adding that four of them were fell by soldiers.

“The cultists came for reprisal at a pub in Idito around the family house of the Obateru of Egbin and burnt down the house. So, soldiers were mobilised to catch them, and in the process, four of the cultists were killed, while the others escaped. Later on, another cultist, known simply as Something, was killed in Igbe. All these attacks happened in the night,” Ogunsanya stated.

When contacted, the state Police Public Relations Officer, Bala Elkana, said ten suspects had been arrested, adding that the Commissioner of Police, Hakeem Odumosu, had deployed the Special Track Force on Social Miscreants in the community to restore normalcy.

Elkana said, “The trouble has been on since 2017. The cultists were allowed to renounce cultism and stop their attacks on each other so that they could escape prosecution, and since then, there was no attack until recently.

“On January 20, 2020, some of the cultists were relaxing at their meeting point when they got into an argument, which degenerated into a fight and one person was injured.

“So, members of the rival group thought the person had died and launched a counter-attack, which led to all these clashes from January 20. But the police quickly responded, and ten suspects were arrested.

“Those arrested are Ibrahim Jamiu, Abiodun Jimoh, Babajide Adeyemi, Goddey Adewale, Olalekan Adebanjo, Ibrahim Hassan, Yusuf Sangosanya, Oluwafemi Omolaja and Olaide Sodiq.

“The CP has summoned an emergency meeting to resolve the cult clashes in the affected areas. The corpses recovered were those of six suspected cultists and we have no record of any pupil killed.”


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AKU ( Wealth): AGUIKE, alias Allah-Bama’s new hit song.

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AGUIKE , alias allah-bama

**Artiste: AGUIKE, alias Allah-Bama,
Genre: Afrobeats, Highlife, Rap, World, Neo-Afrosoul

Reviewed by Franz Dickson.

Aku (wealth) is an anthemic, massive, banging track delivered contemporaneously and stylishly. It’s Afrobeats, hip-high life, and dance. It is your party song, without a doubt. It’s another praise for Allah-Bama’s versatility in songwriting styles.
With a steady beat and prosperous, whole, harmonious, and zesty choruses, pidgin rap leads with a spattering of genre-respected highlife vocal feels and adlibs here and there. It’s all done with great expertise.
And those crisp, fun, pidgin rap verses had AGUIKE deliver his message and call to “stay humble even when you’re on top” in a contemporary, avant-garde style.
His highly loveable pidgin rap style is well-measured, rhythmic, timed, executed on the bar and beat with great flair and precision.
A brilliant use of drum rolls and ear-friendly contemporary piano tones set this track up for great likability.
This is another cautionary song so brilliantly executed you won’t be able to help sing along with the highly singable choruses. The sweet choruses knock you off your feet.
“Eeeweh Onye akunaba ru raka Yaga ririwe o…”
“Ririwe… Ririwe o…” ( if heavens smile at you, enjoy it)
“When you’re at the top, Stay humble. Be mindful.” That’s the translation.
Neatly executed guitar riffs run alongside the track’s throbbing rhythm. Depending on the leads, AGUIKE switches adroitly between his trademark sweet falsetto and teasing vocal scats and adlibs to come through on this song.
His use of genre-respected highlife feels and adlibs are noticeably heartwarming. He takes you nostalgically into that zone. With some of those classic late Osita Osadebe’s feels on a contemporary groove, complete with a chorus you can’t resist. That gives you an idea of what I am talking about.
The bassline tones and play attitudes are all on point.
What you will need help to avoid about this party banger is the power of the musical, zesty, full choruses to pull you in. You will sing along after a couple of replays. That’s a promise.
AGUIKE again displayed amazing songwriting skills. From the sweet melodic structure of the choruses to his fun-styled pidgin rap verses, it’s all expert work. It is a thundering five-star track, trust me. 🌟 🌟 🌟 🌟 🌟
Franz Dickson is a music critic and is the author of The Contestant
franzdickson@gmail.com

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Maziyke releases another single-WHATEVER

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emma -agu

Words/Music/Produced by -Maziyke-also known as allaBama

Genre: Dance, Afrobeats, Pop, Soul, Easy Listening.

Reviewer: Franz Dickson 2022-Musician and author

Artiste: Maziyke

After listening to “Whatever,” you come off with the feeling that here finally is an artiste and track worth their salt.
Maziyke’s return with this massive international track is a highly welcome development in these days of declining musicianship and artistry. The days of great, good music are back!

This smash hit is a brilliant assemblage of multiple genres: Afro-sounds, jazz, pop, rock, rhythm, blues, soul, Afro-soul, etc., into a truly seminal recording that is at once compelling, soulful, and evocatively nostalgic. If great music is your thing, then this is your track.
Being the veteran that he is, I couldn’t have expected lesser musicianship from the maestro, Maziyke; he proved pointedly that the long wait by his fans worldwide was worth it. He rewarded them with this ingeniously crafted masterpiece of a track, Whatever.
The song opens beautifully with a richly blended doo-wop-style chorus that sweeps you up in a soothing musical high.
Scoring truly professional harmonies has been a recurrent weakness of many of today’s tracks. But Maziyke would have none of that! The choruses here are beautifully blended, soothing, soulful, bright, crisp, and silky. He ensured that the department was well taken care of.

And his lead vocals are a master class in vocal delivery. Bristling with soul, style, and experience, he effortlessly breathed them on the mic with the flair and expertise of a vocal guru. His velvety rich voice was in its A-game. Every line is a masterstroke!
And a thing about veterans is their uncanny ability to craft songs on the appropriate sonic key that maximizes their leadership voice and the other instruments and voices on the track. It’s a function of great songwriting, and Maziyke-(born Emma Ike Agu) had that crucial question sorted out in the writing of this scintillating track.
The song’s mid-tempo rhythm makes it a soothing, delightful listening piece.

That’s a bold love declaration!
And appropriately titled, “Whatever” is a bold love declaration. Lovers worldwide and those pledging their love in marital vows just received a big boost and a new love anthem in this classic track. This is your next big international song on the key of love. Trust me!
And the soulful, anthemic baseline of this track rumbles sonically and definitively underneath throughout this masterpiece as if putting a stamp on it and augmenting its mellow mood.

Spicy, classic, jazz-influenced, Spanish-styled guitar riffs and disciplined strummed arpeggios help tell the song’s story at professionally interspersed intervals.
The soothing world-class mix and professional mastering are the icings on the cake. The total effect on you is that you want to press replay after each listen.

Carefully measured arrangements of chorus-verse alternation hold your attention and interest in the song for the 3 minutes or thereabouts from its intro to its coda.
And here’s the caveat about this massive track! The chorus is very singable and highly addictive!

This is a viral song. All the marks are in place and on point. A certified hit amongst Afrobeat, pop, RnB, soul, urban, and adult contemporary audiences.
I gladly give this five full stars.

Franz Dickson

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The Peace Jingle By Maziyke

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Maziyke

This song is about world peace; it is Maziyke’s little contribution to peace around the universe.
“The Peace -Jingle-” is part of 1 People, a track off the much-anticipated album of international singer-songwriter and media entrepreneur Ike Agu- “MAZIYKE.” Titled “Peace & Harmony,” this massive track is your quintessential peace song to all the world’s people. And this call for peace and harmony is most auspicious, coming at a time like this when humanity is faced with the outlook of a possible world war spiraling out of the devastating war in Ukraine. From the singer’s own terror-stalked homeland of Nigeria to Ukraine, from the violence-plagued Tigray region of Ethiopia to the troubled spots of the Middle East and Myanmar, the most sought-after needs now are peace and harmony.
And the profoundly meaningful lyrics of this massive peace anthem capture exactly what the world needs now– a reminder to give peace a chance.

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Maziyke to release GoodTime-Song Review

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Ike-Agu-Maziyke

Song Title:   Good Time

Words/Music/Produced by Ike Agu-Maziyke-also known as allaBama

Genre: Dance, Afrobeats, Pop, Soul, Easy Listening.

Reviewer: Franz Dickson 2022

Scheduled for release on the 29th of September to mark the International award-winning singer, songwriter, and producer’s birthday, GoodTime is unapologetically a pulsating, pumping beat!

Like the name suggests, “Good Time” is your ultimate party song! Crafted with one thing in mind: to give you a good time. If dance is your thing, or a great party song is your definition of a great track, then you’re in good company! “Good Time” has a bouncy, smart, infectious beat, rhythm, and groove! This song rocks as voices sing:

“Hello, hello, hey

We gonna have a good time

Good time tonight…”

A steady, innovative beat! Tight rhythm! Thumping bassline! Afro-influenced, highlife-reminiscent guitars, all executed with world-class musicianship!

The easy-going, impeccably delivered verse and choruses speak to letting down your hair and partying, especially after the day’s hassles, work, or whatever it may have been. The tone of invitation to loosen up and have a good time is unmissable in the voices.

The lead voice, while making it sound easy, actually delivers a masterpiece of a light-hearted vocal technique rendition that suits a big, artful party song like Good Time. Extraordinary creativity, indeed! I have heard it said; that the ability to express a big idea in simple terms is a mark of great talent. That’s what this song is. And Maziyke nailed it. 

As usual, he was perfectly at home and sensitively communicative of the happy-go-lucky mood and attitude required of this brilliant song. His resonant, rich voice was on duty executing this beautiful party piece.

The intelligent, brisk, relaxed tempo at once makes this track an easy listening pick as well, while it’s already a dance song! And those well-delivered choruses have one thing in mind–an invitation to forget about the worries and have a good time here and now. But, again, this is essentially a dance song.

And the background guitars played by the singer are beautifully and nicely Afrocentric. Highlife comes readily to mind in the play style.

By the time the groove peaks and climaxes at the point where the voices switch into singing “Egwu-oma” which in the Igbo language means “good music,” this big song shifts gear and becomes a raging, sweet groove that’s totally off the hinges! Yes! This is good music!

With its groovy bass line, the drum-driven quality of this track is sure to get it into numerous dance music playlists and easy-listening radio belts. It has all the marks of a viral social media song.

Woven across dance, soul, pop, and the afrobeats genres, Good Time is assuredly the party man’s ultimate song and anthem, even though a broad spectrum of lovers of great music will gravitate easily towards this ingeniously crafted song.

DJs from Africa to the Caribbean and worldwide just received another considerable dance floor mover in this beautiful track.

Franz Dickson

franzdickson@gmail.com

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